Ramblings of a Splatterpunk: Redress

Redress – This Rewrite is Done!

Whew.  I literally finished this rewrite of Redress a few minutes ago, but I am so stoked about it, I had to keep writing…which brings me to this.

As of this moment, the script is at 134 pages; the single largest screenplay I have ever completed.  I know there are some “pros” out there that can scoff at that, but Fuck You.  This is my story to tell, my damn near two years of development and my celebration to enjoy – and you know you were once there in your humble careers as well. For some of you out there, I know you are still wishing you could get to this point. Trust me, I know the struggle, and if you keep pressing forward it will happen for you.

While I am at a very celebratory point with the script,  I can’t take all of the credit however. My friend Kreg contributed a number of twists and turns to this grand story arc and I wouldn’t be here if he hadn’t shared his ideas for the script with me. As I have been rewriting, I think I have only further worked those ideas into the story and reinforced them with other bits. While I may have changes the order of things, I feel I served my characters with just cause and realistic situations.

My writing style, as I have learned, is very “organic” in nature. Some writers outline every detail and they are crippled without it. I just start coming up with ideas. Some of them I write down. Others I let swirl around in my head for a while and eventually they find their way out. That is the way it was with this rewrite. I basically skimmed over my notes on the last draft and then I sat down and started writing.  I knew the story already in my head and where I wanted to go with it, so I just wrote. Occasionally I looked at the old draft, but I hardly ever copied anything directly from it.  While the new story may read like some of the original script, there was no copy and pasting.

As I started getting into more heated scenes I found myself having to go back and insert small details into the story. I mainly did this because I’m one of those people that watches a movie and says “How the hell did that happen?” or “Why did that idiot just go into that dark alley?” I feel fairly confident that the story is resolved, the characters are resolved and while I don’t leave anything open for a dreaded sequel, I think the story ends in a way that viewers will be able to carry the story forward in their own minds and be happy with however they see it ending.

There were even a couple of times when I was writing this version when I had to just trust my characters.  We got into a tug of war here and there, and any writer know what I mean. I wanted to push the story in one direction, but my characters would never do some of the things I wanted, so I had to trust them.  I’m glad I did because in the end they surprised me.  The main villain became more sick and twisted that I could have ever imagined, the rogue cop began taking matters into this own hands and blatantly stretching the law to get his man, and the hero, if he is a flawed hero, well, he went off the deep end, but in the end he swam back to the shore to live another day.

So, what’s next for this story? Unfortunately I have one more rewrite left, really just to hammer out some structure issues I brushed off and make sure the continuity flows. I want to pass it around to a few people for a read and then maybe let a script doctor give it a read. There is a Screenwriter’s Conference in October up in Los Angeles. It is my goal to have the script polished and ready for a pitchfest they are having.

In my heart I know this is a good story. It is an original story. And if I have it my way, it’s going to make a damn good movie one day.

-DQ

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Comic-Con 2009 – Here it comes…

Comic-Con InternationalAhhhhh…. It’s that time of year again: Comic-Con in San Diego (aka Uber Geek Christmas). I don’t think you can find any other single place in the world where so many people, who are fans of so many different things, are gathered under one roof in almost perfect harmony. Granted, you get the really fat people, the really smelly people and that one stupid fucking asshole who stands directly in front of a 1200 foot line of people dressed in black robes holding wands and says, “Oh, this is the line for the Harry Potter panel?”

I have a booth again this year, although this time I think it’s just so I can get into the convention hall early. We’re not really selling anything this year, more doing some shameless self promotion and trying to network with people slightly more influential than ourselves.

Personally, I really wish I had a new film to promote. This is my second year to host a booth and not have something brand spanking new, other than our Podcast. Hopefully next year will be different. I always find it weird when hundreds of people run up to me to see what the new film is. I’m not a famous filmmaker by any means, but the amount of people who enjoy my work can be a little intimidating at times.

I’ll never forget the first Fangoria Weekend of Horrors I went to a few years ago and this guy came running up to me screaming, “Dude, dude, dude, you’re David Quitmeyer!”, and I took two steps back and looked at him. I didn’t know if he was going to hug me or shoot me. Thank God all I got was a handshake and a new friend rather than a chest full of lead pellets.

While I detest the seas of people, especially the greedy bastards who grab handfuls of SWAG, I do enjoy the panels, seeing the creative personalities I admire and occasionally brushing shoulders with a celebrity. I don’t know what it is about Comic-Con, but I never want it to end and I never want to leave the convention center at night. I like wondering around the halls, observing all of the other people crashed out on benches and thumbing through their event guides.

I will have to say, since I’m not selling anything, this is the one year I’m not racing at the last minute to print out fliers or edit a trailer. After coming to Comic-Con for 7 years, four of them as a vendor, I have to say I am finally learning the ropes.

If you find your way to Comic-Con, please stop by the Steel Web Studios Booth at #H-07 and say “Hi”. It’s always nice to know somebody else is reading this other than the demons in my head.

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Redress – Script News – 100 Pages, Finally

It has taken a while, but the screenplay for Redress finally crept across the 100 page mark last night. My target length for the script is about 130 pages for this draft and then I plan to go back and trim the fat back to about 115 pages.

For those of you following me on Twitter you may recall I posted a photo of a book called How Not to Write a Screenplay. I bought the book mainly as a reference for scripting items like flashbacks and dream sequences. It also has some great tips for trimming the fat and rewording scenes into the basics while using examples from other screenplays. I tend to be extremely descriptive when I write, so it was a good booster for me and really drove home a few points.

Now that I have my head wrapped around the story more, I’m starting to make things a little more uniform and adding explanations for things that were initially kind of like WTF? I have been having fun adding new frights and gore to the story and developing the characters further along the way. I’m at the point where my characters are starting to control the story so I find myself saying “Oh, Henry wouldn’t do that…” so then I have to forcibly push him in the direction I want with violence or horror. One thing the first draft lacked was a high enough body count for my satisfaction. I don’t want to start dropping corpses like Jason Voorhees on a mushroom bender, but there is an underlying crime story plot, so I’ve started showing glimpses of the violent nature of the crimes rather than lightly eluding to them after the fact. We see the girl get murdered rather than simply mention it in a news report; stuff like that.

The final piece of the puzzle I have plugged in are some the physical manifestations of the main tormented spirit. I never wanted to come out and say there is a haunting going on, but I wanted to explore how somebody battling with stress and nightmares may easily brush of some of the more subtle tendencies of a haunting as coincidence.

-DQ

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